Review: Heroes are real Marvel in 'The A...

Review: Heroes are real Marvel in 'The A...

From left, Scarlett Johansson, Chris Hemsworth, Chris Evans, Jeremy Renner, Robert Downey Jr. and Mark Ruffalo in “The Avengers”

If superhero movies now shoulder the responsibility of being our eras moral parables, then The Avengers is a rocket-powered boost to the tops of mounts Olympus, Rushmore and Sinai.

Or, in less highfalutin words: Folks, these flicks dont get any better than this.

Directed by Joss Whedon and tying together the Iron Man, Incredible Hulk, Thor and Captain America movies, this mega-entertaining Avengers film is something comic fans have dreamed of since Marvel debuted the title almost 50 years ago.

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The filmmakers including Whedon and co-writer Zak Penn are aware of the power they wield, and so make sure the movie not only meets expectations but also is accessible to everyone. They succeed with flying colors, injecting our real world with Marvel-style myth. They even make sure to frame the cast in several valiant, poster-ready tableaux.

After seeing those, 12-year-old boys, and their dads, should be ready to decide who theyd be.

As for the (slightly dense) plot, things start fast. As scientists examine the Tesseract a blue cube, first seen in last years Captain America" and Thor, that opens a door to other worlds the evil demigod Loki (Tom Hiddleston) emerges from it and starts turning men into minions, including government agent Clint Hawkeye Barton (Jeremy Renner).

In response, Nick Fury (Samuel L. Jackson) and S.H.I.E.L.D. agents, including Black Widow (Scarlett Johansson), kick-start the Avengers Initiative, bringing together Tony Iron Man Stark (Robert Downey Jr.), the once-frozen WWII hero Steve Captain America Rogers (Chris Evans) and split personality Dr. Bruce Hulk Banner (Mark Ruffalo).

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Once the Asgardian god Thor (Chris Hemsworth) hits Earth to deal with his half-brother Loki, the team is in place.

But that doesnt mean they fit. Intrapersonal conflicts nearly derail the mission (there are super-sized egos and super-issues involved). Stark provokes man-out-of-time Captain America, whose powers were funded by Starks dad. Thor, for his part, considers Loki a family issue. And Banner works at keeping calm so he doesnt turn into a huge green rage monster till the time is right.

Whedon avoids choppy, whiplash-edited action scenes in favor of a measured elegance. And his genre sensibility is pop-retro; if you cant quite hear pages turn, you can certainly let your eyes linger (especially during one panorama-style shot, set to Alan Silvestris lush John Barry-style score, that locates each hero mid-fight). This is how it should be: Everythings in its place, so why rush?

Most refreshingly, these ultra-powered characters are ultra-human. Funny, conflicted and in need of guidance, they also know how to put on a good show a handy trait when youre wearing spandex and armor costumes.

The film does, too. Lokis appearance at a German opera house is a classic grandstanding villain scene halted by Captain Americas mighty shield. And whereas the mid-section features a battle in a contained space S.H.I.E.L.D.s invisible flying battleship the final 40 minutes is a massive rumble across Manhattan as Lokis alien army and their giant flying bug-things burn the city until the Avengers assemble to thwart them.

We wouldnt care about them collectively if we didnt know them individually, and it helps to have four Oscar nominees in this bunch. Ruffalo is the revelation, turning Banner into a wry reservoir of calm ready to become a volcano (and his CGI Hulk actually provides big laughs). Evans conveys Captain Americas confusion at being decades away from home, and Downeys Stark is again a wisecracking wonder with a heart that cracks when a member of the film series is lost.

They anchor a superb group effort. Most impressive of all, The Avengers makes superhero movies new again a colossal task indeed.

Magic Moment: The colorful cast rally in a circle as they prepare for battle.